The tickets are valid for one year... so its okay for me not to consume some the tickets!
Thanks a lot to Summer of A Writer's Den for this wonderful prize..
oops if you are thinking about popeye or mickey i guest you might Want to change your bet or your list of your on top 5 in this certain category
my criteria for this top 5 classic cartoons are those cartoons who just vanished but leave a mark in cartoon industry as one of the legends
now lets begin.......
TOP 5 MOST CLASSIC CARTOON
Woody Woodpecker is an animated cartoon character, an anthropomorphic woodpecker who appeared in theatrical short films produced by the Walter Lantz animation studio and distributed by Universal Pictures. Though not the first of the "screwball" characters that became popular in the 1940s, Woody is perhaps the most indicative of the type.
Woody was created in 1940 by storyboard artist Ben "Bugs" Hardaway, who had previously laid the groundwork for two other "screwball" characters, Bugs Bunny and Daffy Duck, at the Schlesinger/Warner Bros. studio in the late 1930s. Woody's character and design would evolve over the years, from an insane bird with an unusually garish design to a more refined looking and acting character in the vein of the later Chuck Jones version of Bugs Bunny. Woody was originally voiced by Mel Blanc, the voice actor who voiced Bugs Bunny and most of the other Looney Tunes/Merrie Melodies characters. Blanc was succeeded as Woody's voice by Ben Hardaway and later by Grace Stafford, wife of Walter Lantz.
TOP 4 MOST CLASSIC CARTOON
Betty Boop is an animated cartoon character appearing in the Talkartoon and Betty Boop series of films produced by Max Fleischer and released by Paramount Pictures. With her overt sexual appeal, Betty was a hit with theater-goers, and despite having been toned down in the mid-1930s,
Betty Boop made her first appearance on August 9, 1930 in the cartoon Dizzy Dishes, the sixth installment in Fleischer's Talkartoon series. She was originally designed by Grim Natwick, a veteran animator of the silent era who would become lead director and animator for the Ub Iwerks and Walt Disney studios. The character was modeled after Helen Kane, the famous popular singer of the 1920s and contract player at Paramount Pictures, the studio that distributed Fleischer's cartoons. By direction of Dave Fleischer, Natwick designed the original character in the mode of an anthropomorphic French poodle. The character's voice was first performed by Margie Hines, and was later provided by several different voice actresses including Kate Wright, Ann Rothschild (a.k.a. Little Ann Little), Bonnie Poe, and most notably, Mae Questel who began in 1931 and continued with the role until 1938.
TOP 3 MOST CLASSSIC CARTOON
"FLIP THE FROG"
Flip the Frog is an animated cartoon character created by American cartoonist, Ub Iwerks. He starred in a series of cartoons produced by Celebrity Pictures and distributed through Metro-Goldwyn-Mayer from 1930 to 1933. Aside from Flip, the series also had many recurring characters including Flip's dog, the mule Orace, and a dizzy neighborhood spinster.
Flip's debut short was Fiddlesticks (released on August 16, 1930). Although the short looks to be very much like one of Iwerks' Silly Symphony endeavors, it attracted public attention by being the first full-length color sound cartoon ever produced. The short was produced in two-color Technicolor and is the only Flip cartoon known have been processed in color. However, some evidence points to the second Flip short, Flying Fists to have been produced in Technicolor as well and some have speculated that the later Techno-Cracked (1933) may have been photographed in Cinecolor. The Cinecolor process was a new two-strip color process came out in 1932 and was considered superior to the two-strip Technicolor process. Iwerks would go on to make extensive use of this process with his ComiColor Cartoon series.
TOP 2 MOST CLASSIC CARTOON
"OSWALD THE LUCKY RABBIT"
Oswald the Lucky Rabbit is an anthropomorphic rabbit animated cartoon character created by Ub Iwerks and Walt Disney for films distributed by Universal Studios in the 1920s and 1930s.
Oswald was first introduced in 1927 after Disney’s series of Alice Comedies had run its course. Disney signed a new contract with Universal Studios head Carl Laemmle where he would produce a series of cartoons for Charles B. Mintz and George Winkler. The first Oswald cartoon, Poor Papa, was rejected by the Universal studio heads due to poor production quality and the sloppiness and age of Oswald. After this, Disney, together with Ub Iwerks, created a second cartoon called Trolley Troubles featuring a much younger, neater Oswald. The short officially launched the series and proved to be Disney’s greatest success yet.
A few of Oswald’s adventures dealt with humour related to the procreative abilities of his species, as illustrated in the episode description of Poor Papa: “Oswald gets a visit from the stork... again and again and again. He has to resort to a variety of strategies to stop the continual flow of babies.” Trolley Troubles also showed Oswald surrounded by numerous baby rabbits, this time heckling him while on the job. Other cartoons, however, generally placed Oswald in more human-type conditions and situations.
In spring 1928, with the series going strong, Disney asked Mintz for an increase in the budget. But Mintz instead demanded that Walt take a 20 percent budget cut, and as leverage, he reminded Disney that Mintz owned the character, and revealed that he had already signed most of Disney’s current employees to his new contract: Iwerks and Les Clark were among the few who remained loyal to Walt. Disney refused Mintz’s demand, disassociating himself from Oswald after the series’ first season. While finishing the remaining Oswald cartoons, Disney, Iwerks and Clark created the cartoon hero who would become The Walt Disney Company’s lasting symbol: Mickey Mouse, the most famous of Walt Disney’s characters.
THE MOST CLASSIC CARTOON
"FELIX THE CAT"
Felix the Cat is a cartoon character created in the silent-film era. His black body, white eyes, and giant grin, coupled with the surrealism of the situations in which his cartoons place him, combined to make Felix one of the most recognizable cartoon characters in the world. Felix was the first character from animation to attain a level of popularity sufficient to draw movie audiences based solely on his star power.
Felix's origins remain disputed. Australian cartoonist/film entrepreneur Pat Sullivan, owner of the Felix character, claimed during his lifetime to be its creator as well. American animator Otto Messmer, Sullivan's lead animator, has more commonly been assigned credit in recent decades. Some historians argue that Messmer ghosted for Sullivan. What is certain is that Felix emerged from Sullivan's studio, and cartoons featuring the character enjoyed unprecedented success and popularity in the 1920s.
From 1922, Felix enjoyed sudden, enormous popularity in international popular culture. He got his own comic strip (drawn by Messmer) and his image soon adorned all sorts of merchandise from ceramics to toys to postcards. There were several manufacturers who made stuffed Felix toys. Jazz bands such as Paul Whiteman's played songs about him. The most popular song of 1923 was "Felix Kept On Walking", and further songs followed.
On November 9, 1919, Master Tom, a character resembling Felix, debuted in a Paramount Pictures short entitled Feline Follies. Produced by the New York City-based animation studio owned by Pat Sullivan, the cartoon was directed by cartoonist and animator Otto Messmer. It was a success, and the Sullivan studio quickly set to work on producing another film featuring Master Tom, The Musical Mews (released November 16, 1919). It too proved to be successful with audiences. Paramount producer John King suggested that the cat ought to be renamed to "Felix", after the Latin words felis (cat) and felix (luck), which was used for the third film, The Adventures of Felix (released on December 14, 1919). In 1924, animator Bill Nolan redesigned the fledgling feline, making him both rounder and cuter. Felix's new looks, coupled with Messmer's mastery of character animation, would soon rocket Felix to international fame
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